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Mystery in Room 913, by Cornell Woolrich
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Cornell Woolrich is "our greatest writer of Suspense Fiction" - Francis Nevins, Woolrich biographer.
Mystery in Room 913 is one of Woolrich's short stories considered a novella based upon it's length. Set in New York, a place he lived with his mother, and where many of his stories take place, it's the story of Room 913 in the Hotel St. Anselm, where three men check in and unexplainably jump out of the window to their deaths. The detective who investigates refuses to believe that all three men coincidentally committed suicide in the same room of the same hotel. Not until the detective checks into the room himself does the reader learn of the secret of Room 913.
This is one of Cornell Woolrich's classics. It delivers the kind of suspense that Woolrich fans have come to love.
The story was also published under the title "The Room with Something Wrong" in a collection of stories entitled "Somebody on the Phone."
Cornell George Hopley-Woolrich (4 December 1903 – 25 September 1968) is one of America's best crime and noir writers who sometimes wrote under the pseudonyms William Irish and George Hopley. He's often compared to other celebrated crime writers of his day, Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler.
He attended New York's Columbia University but left school in 1926 without graduating when his first novel, "Cover Charge", was published. "Cover Charge" was one of six of his novels that he credits as inspired by the work of F. Scott Fitzgerald. Woolrich soon turned to pulp and detective fiction, often published under his pseudonyms. His best known story today is his 1942 "It Had to Be Murder" for the simple reason that it was adapted into the 1954 Alfred Hitchcock movie "Rear Window"starring James Stewart and Grace Kelly. It was remade as a television film by Christopher Reeve in 1998.
- Sales Rank: #711344 in eBooks
- Published on: 2013-09-09
- Released on: 2013-09-09
- Format: Kindle eBook
Most helpful customer reviews
4 of 4 people found the following review helpful.
old fashioned mystery story
By Jim Lester
This is a fun read that typifies the stories that filled the pulp mystery magazines and digests of the 1940s and 1950s. The story pulls the reader in immediately--why would three men all commit suicide while staying in the same hotel room on different occasions? The hero is a hotel detective who reads pulp magazines and battles all kinds of obstacles to learn the truth behind the suicides in room 913.
Cornell Woolrich was one of the top suspense writers of the era and penned the story on which the movie "Rear Window" was based. Mystery in Room 913 is one of his best stories and it really holds up well after fifty years or so. I would recommend it to anyone looking for a short, entertaining read to pass the time.
1 of 1 people found the following review helpful.
Lean and Entertaining
By Bobby Underwood
This fantastic tale spun so deftly and entertainingly by the great Cornel Woolrich in the mid-1930s, even before he had worked his way so deeply into his craft — and compulsion — that only Chandler, Gardner, Hammett and Cain could be mentioned in the same breath, almost makes me a bit sad. The reason? Because I can rest assured that at some point, a modern day reader will post a comment here such as: “Okay, but very old-fashioned and doesn’t read well,” or worse, “Well-told, I suppose but much shorter than I’d like.” At that point I will want to scream: “That’s because you’re used to bloated and inconsequential book fare and wouldn’t recognize a brilliant little piece of fiction if it began walking and came up to bite you in the rear end.”
Mystery in Room 913 is a near perfect little mystery/suspense story. Woolrich wrote it lean, telling a story, as all the truly great ones did. Yet despite the brevity of the tale, which is in the seventy-page ballpark, you get a clear impression of the characters from the moment you meet them, an atmosphere for the setting, and a deep curiosity for what’s behind it all which keeps you turning the page.
The main character is the hotel detective, Striker, who is first on the scene when Room 913 claims its first victim. A brief, unsigned note allows the brash and none too eager city detective to write it off as suicide, but Striker believes the man’s fall from 913 was murder. A year later, a second man suffers the same fate, through the same window, and again a brief and unsigned note allows the same city detective to write it off as suicide, and save himself some work. Striker knows better, and others in the hotel begin to suspect something out of the ordinary is going on in room 913.
Why can you feel a depression in 913? Why does a dog who never whines do so only moments before one of the victims plunges to his death? What about the devil-mask Striker discovers in a tenant’s room? What of the smell of sandalwood? And what to make of the lightning someone claims to have seen at the exact same moment one of the men met his fate? The victims are always single check-ins, never a couple. Striker, frustrated that the copper won’t look into it any further, knows it is only a matter of time before room 913 strikes again.
Some investigation, and a ruse is perpetrated by Striker in order to prevent another “suicide” but the best laid plans don’t always work. Striker’s obsession to know the truth about room 913 leads to an exciting climax and solution. Set during the mid-thirties and written then, the story has the feel of watching a 1930s black and white mystery, a nifty little “B” perhaps, tightly written and quickly paced so not an inch of celluloid is wasted. Economically written yet not without atmosphere, the solution is fun and suspenseful. It is no more, nor less plausible than many great mysteries (Christie’s Death in Mesopotamia, for example).
Woolrich wrote a barrel full of great short stories — most famously the noir stories where everyone was doomed. Some became films in the 1940s — Black Angel, Phantom Lady. Hitchcock’s Rear Window in the 1950s is based on Woolrich’s It Had to Be Murder. This one goes further back, however, when he was writing mystery and romance, and is more an entertaining mystery than a noir tale. Great stuff if you enjoy a lean and entertaining style of writing. If you’re a fan of Woolrich, a must read novelette.
1 of 2 people found the following review helpful.
Noir with a capital N
By ObsessiveReader
If you want to know the true meaning of NOIR read Cornell Woolrich. His plots may sometimes seem to be period pieces but his writing, his vision and his picture of the world endure.
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